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Nikita Vlasov
Nikita Vlasov

Learn the Art and Science of Sound Balance Engineering from Michael Stavrou's Mixing With Your Mind

Michael Stavrou Mixing With Your Mind Pdf Downloadl

If you are interested in learning the secrets of sound balance engineering from a master of the craft, you might want to check out Michael Stavrou's book Mixing With Your Mind. This book is a treasure trove of insights, tips, and techniques that will help you take your mixing skills to the next level. In this article, we will tell you everything you need to know about this book, how to get a copy of it, and how to use it effectively.

Michael Stavrou Mixing With Your Mind Pdf Downloadl

What is Mixing With Your Mind?

A brief introduction to the book and its author

Mixing With Your Mind is a book written by Michael Stavrou, a renowned sound engineer and producer who has worked with artists such as Paul McCartney, Elton John, Kate Bush, Sting, and many more. The book was first published in 2003 and has since become a cult classic among audio professionals and enthusiasts. The book reveals the closely guarded secrets of sound balance engineering that Stavrou has learned and developed over his 40-year career.

The main topics and concepts covered in the book

The book covers a wide range of topics and concepts related to sound balance engineering, such as:

  • The physics and psychology of sound perception

  • The art and science of equalization, compression, reverb, delay, panning, and other effects

  • The principles of balance, contrast, depth, width, height, movement, and emotion in mixing

  • The methods of creating space, clarity, warmth, punch, presence, and excitement in your mixes

  • The techniques of mixing vocals, drums, bass, guitars, keyboards, orchestras, and other instruments

  • The tricks of mixing for different genres, formats, media, and audiences

  • The secrets of mastering your mixes for optimal quality and impact

Why is it a valuable resource for sound engineers and music producers?

Mixing With Your Mind is a valuable resource for sound engineers and music producers because it offers:

  • A unique perspective on sound balance engineering that goes beyond the technical aspects and focuses on the creative and intuitive aspects

  • A wealth of practical advice and examples that are easy to understand and apply

  • A holistic approach that covers every aspect of mixing from start to finish

  • A timeless wisdom that is relevant for any genre, style, or era of music

  • A fun and engaging style that makes reading the book enjoyable and inspiring

How to get a copy of Mixing With Your Mind?

The official website of the book

The best way to get a copy of Mixing With Your Mind is to buy it from the official website of the book, which is Here, you can order a hardcover edition of the book for $69.95 AUD (plus shipping and handling). You can also download a PDF version of the book for $29.95 AUD. The website also offers a free sample chapter of the book for you to preview before buying.

The advantages and disadvantages of buying from the website

The advantages of buying from the website are:

  • You get the most authentic and updated version of the book

  • You support the author directly and help him continue his work

  • You get access to exclusive bonus materials and updates from the author

  • You get a 30-day money-back guarantee if you are not satisfied with the book

The disadvantages of buying from the website are:

  • You have to pay extra for shipping and handling, which may vary depending on your location

  • You have to wait for the delivery of the hardcover edition, which may take up to 4 weeks depending on your location

  • You may encounter some technical issues or errors when downloading or opening the PDF version of the book

Other online platforms where you can find the book

If you prefer to buy the book from other online platforms, you may find it on sites such as Amazon, eBay, Goodreads, or Open Library. However, you should be aware that these sites may not offer the latest or most accurate version of the book, and they may charge higher prices or fees than the official website. You should also check the reviews and ratings of the sellers before buying from them, as some of them may be unreliable or fraudulent.

How to use Mixing With Your Mind effectively?

The importance of reading the book carefully and applying the principles

To get the most out of Mixing With Your Mind, you should read the book carefully and apply the principles that Stavrou teaches. The book is not a quick fix or a magic formula that will make your mixes sound perfect overnight. It is a guide that will help you develop your own style and skills as a sound engineer and music producer. You should read each chapter with an open mind and a critical ear, and try to understand the logic and reasoning behind each concept and technique. You should also experiment with different settings, tools, and methods, and compare the results with your own ears and preferences.

Some practical tips and examples from the book

Here are some practical tips and examples from the book that you can use in your own mixes:

  • Use your mind as your main mixing tool. Imagine how you want your mix to sound before you touch any knobs or faders. Visualize the shape, size, color, texture, and movement of each sound in your mix. Use your imagination to create contrast, balance, depth, width, height, movement, and emotion in your mix.

  • Use your ears as your main mixing reference. Listen to your mix on different speakers, headphones, devices, and environments. Listen to your mix at different levels, distances, angles, and times of day. Listen to your mix with different moods, expectations, and intentions. Listen to your mix as a whole, as well as each individual element.

  • Use your body as your main mixing feedback. Feel how your mix affects your physical sensations, emotions, thoughts, and actions. Feel how your mix makes you move, breathe, smile, frown, nod, shake, relax, tense up, etc. Feel how your mix makes you feel happy, sad, angry, calm, excited, bored, etc. Feel how your mix makes you think about something else or focus on something specific.

  • Use contrast as your main mixing principle. Contrast is what makes your mix interesting and engaging. Contrast can be created by using different levels, frequencies, dynamics, effects, panning, timing, etc. Contrast can be subtle or obvious, gradual or sudden, smooth or rough, etc. Contrast can be used to create tension or release, surprise or anticipation,



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